RTL Inside App. Release: RTL INSIDE ist eine tolle Kommunikations-Plattform - als App und auf relight.nu Wir zeigen Ihnen, wie das Ganze funktioniert. RTL INSIDE für Android - Download. Login; Konto einrichten. Toggle navigation AndroidListe · Android-Nachrichten · Apps · Spiele · Themen.
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RTL INSIDE ist eine tolle Kommunikations-Plattform - als App und auf relight.nu Wir zeigen Ihnen, wie das Ganze funktioniert. Aktuelle Nachrichten und vieles mehr erhalten Sie auch unterwegs - in der neuen RTL INSIDE App. Jetzt kostenlos herunterladen, gratis. RTL Inside App. Release: relight.nu – Nachrichten, die bewegen. Breaking News sowie aktuelle Informationen zu unseren TV-Formaten direkt auf Dein Smartphone. Übersichtlich, modern. Lade die neueste Version von RTL INSIDE für Android herunter.. Work environment RTL INSIDE. RTL INSIDE icon Offizielle YouTube-App für AndroidTV. Mit den "Inside"- und "Connect"-Apps versuchten die beiden großen Privatsender-Gruppen vor einigen Jahren die sozialen Netzwerke in. RTL INSIDE für Android - Download. Login; Konto einrichten. Toggle navigation AndroidListe · Android-Nachrichten · Apps · Spiele · Themen.
Lade die neueste Version von RTL INSIDE für Android herunter.. Work environment RTL INSIDE. RTL INSIDE icon Offizielle YouTube-App für AndroidTV. RTL Inside iPhone- / iPad-App Deutsch: Mit der Gratis-App "RTL Inside" für iPhone und iPad erhalten Sie Zugriff auf exklusive Funktionen. RTL INSIDE ist eine tolle Kommunikations-Plattform - als App und auf relight.nu Wir zeigen Ihnen, wie das Ganze funktioniert.
Inside App Rtl Auch interessant VideoJohan adviseert De Boer: 'Zet Botman op Lewandowski' - VERONICA INSIDE
However, the CSSWG recommends that the direction should be defined on the html root element to ensure the correct bidirectional layout in the absence of CSS.
Initially, I used the good old float to align the image to the left in the LTR design — and, of course, I used a clearfix. Everything is flipped except for the image.
To solve that, we need to override those styles:. Well, the result would look weird. The browser shows the title improperly.
It should read in the order shown in the figure below. To avoid this issue, set the appropriate language direction whenever possible.
It can get more complex when the title is longer. That is, the sentence looks grammatically correct and in the right order.
Some fonts can work for multiple languages, which are great. However, brands and businesses tend to use a different font for RTL.
To account for that, we should define a different font in the font settings of your project. See Automation Tools for more details.
In CSS, font-family works in a way that makes it easy to fall back to another font, in case a font didn't load. However, it turned out that if specific glyphs are not supported by the first font in the declaration, it will try to use the second font.
Font selection does not simply stop at the first font in the list that is on the user's system. Rather, font selection is done one character at a time, so that if an available font does not have a glyph for a needed character, the latter fonts are tried.
Omar Bourhaouta made the following demo which proves the above concept:. The Roboto font didn't recongnize the Arabic glyphs, so it falled back to the second font declaration.
Flexbox is based on the writing mode of the document. The writing mode is used to specify how blocks are laid out on the page. For example, a Chinese website is laid out from top to bottom.
The writing mode is for this purpose. In flexbox, items are distributed according to the writing mode of the document.
The default value for writing-mode in English and Arabic is horizontal-tb. Content flows horizontally from left to right, vertically from top to bottom.
The next horizontal line is positioned below the previous line. The illustration below shows how the flexbox axis is flipped based on the direction.
Like flexbox, the grid layout module depends on the writing mode of the document, which gives us the same benefit that we get from using flexbox.
In the example below, the sidebar should be on the left and the main content on the right when the direction is LTR. Consider the following example for English content.
It looks normal. However, if the same letter-spacing style was added to Arabic content, it would look weird. Consider the following real-life example.
Arabic letters are supposed to look connected, and keeping the English letter-spacing works against that. Make sure to set letter-spacing: 0 when working on a multilingual layout.
That works in English. However, when the content is Arabic, it causes a weird text-rendering issue.
There are some areas with a different color between letters. The solution is simply to set the color without RGBa or opacity.
Sometimes, when a website is translated into Arabic, the sizing of elements changes due to some words becoming bigger or smaller after translation.
In the Arabic version, some of the words are almost the same size as their English counterparts, some are the same, and some are bigger. To make it clearer, here is a comparison of each word and its Arabic translation.
Consider the following real-life example from LinkedIn. It would be better to have a min-width for the button to account for such cases.
And here is a very similar example from Twitter:. Please note that the issues above on LinkedIn and Twitter have been spotted by yours truly as of the time of writing 13 December I once worked on a project with mixed content, and I faced an issue related to text truncation in the wrong direction.
Consider the following example. The truncation for the English text is incorrect. It should be at the end of the element, not the start of it.
The font has to be picked carefully to ensure good readability. An example of this is Twitter:. Content that has numbers should be consistent, either Hindi or Arabic numerals.
The reason the digits are more commonly known as "Arabic numerals" in Europe and the Americas is that they were introduced to Europe in the 10th century by Arabic-speakers of North Africa, who were then using the digits from Libya to Morocco.
The following mockup has a mix of Hindi and Arabic numbers. It looks inconsistent, and it should look unified with one type of numerals.
In this case, test how the content looks on one and multiple lines. In the following example, the spacing between lines for the Arabic text is less than for the English one, even though both of them have the same line-height.
On Twitter, for example, there is a button with cut-off content due to an unsuitable value for line-height. Notice that in the first image, an Arabic diacritic is cut off.
The default text underline looks bad when used with Arabic words. This relates to how words and letters are written in Arabic. See the following illustration:.
The underline is kind of covering the dots of the letters. Still not clear? Here is a close-up:. The dots highlighted in blue overlap with the underline.
This is not good, and it makes the text hard to read. The solution is to use a custom underline with CSS.
However, it is not guaranteed to work with all typefaces and font sizes. At the time of writing, Firefox is the browser that has the best support for these properties.
Update: 18 Jan Based on this issue on Github, it turned out that using text-decoration-skip-ink property can solve the issue of dots overlapping with the underline.
The default value for it is skip. At the time of writing, it's not supported in Safari, old Edge The chromium Edge supports it.
Here is how it looks in Safari:. Browser support for box-shadow is much better than for text-decoration.
Consider the following:. The circled areas are broken Arabic words due to the effect of word-break. In Arabic, there is no such thing as word breaks.
Or is it just really weird? Regardless, INSIDE is an incredible journey with increasingly bizarre encounters that mix action with clever puzzle designs.
This is about as indie as a game can get, which means dark themes, creepy stories, mostly grey backgrounds with red accents and ominous music.
Overall, I would say that this is a fun, challenging puzzle game with great atmosphere, and I would definitely recommend it to anyone who likes indie games.
The controls are absolutely infuriating at times, completely ruining the experience. I went on a half-year long hiatus from this game, because the controls were so terrible, and they were preventing me from solving a seemingly simple puzzle.
So yes, you should get this game. Amazing environments and animations. The deaths are truly disturbing and gut wrenching like the sound of your body hitting the ground after a long fall.
The story is dark and crazy almost like a Black Mirror episode and the audio is perfect. Also, the controls, contrary to what some reviews say, are spot on and buttery smooth.
Kudos to the devs for such an amazing work of art. Use your brains! Other morons criticize the pay model, which is perfect!
You download it for free and get to play the first chapter. If you like it, you can purchase the full premium game which is a steal, by the way. I wish all games were like this.
Requires iOS Compatible with iPhone, iPad, and iPod touch. Apple TV. App Store Preview. Description Apple Design Award Winner.
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